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So much for the history. But what is Ham House really like inside? Catherine Whyte finds her preconceptions shattered by a frenzy of baroque.
Enthusiasm is contagious. Just as well,
really, as I’ve never really been that
inspired by Ham House. All that dark
brickwork; so austere and unappealing.
And then along comes Jorge Ferreira,
Visitor Services Manager at the grand
17th century home, to take me on a guided
tour. In a trice, a leaden window opens into
a past embroidered with the silver threads
of high Baroque fashion; a gilded world of
interior design worthy of the pages of
Vogue.
“Ham has managed to maintain its
collection for the past 350 years. That
makes it unique in Europe. No doubt
about that,” says an emphatic Jorge.
Elizabeth Murray (see p10), Countess of
Dysart, was the brains behind much of this
splendour. Building on Ham’s already splendid Jacobean foundations, she and her second husband, the Duke of Lauderdale, renovated and extended the house in the Baroque style during the 1670s...
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